Songwriter, composer and performer, Dobet entrusted the production of “MIZIKI” to Nicolas Repac (Arthur H, Mamani Keita, Republica Ideal de Acapulco). This album is the result of the fusion of their two identities: Dobet loves the music of Africa (Yemi Alade, Miriam Makeba, Brenda Fassie) but is equally enthusiastic about Björk or Christine and the Queens… a fact which Nicolas Repac clearly took on board. Faithful to the languages of Africa – Côte d’Ivoire has 72 dialects – for this album – possibly her best yet – she concentrates on Bété, her mother tongue. Dobet Gnahoré has definitely reached a turning point and has left labels behind to express her frankest and most sincere emotion more precisely. “I want to make people dream while remaining a free artist”. Mission accomplished, enchantment and melody in the lead. She was born far from the city and at the age of six in Abidjan she once again met her father, a recognised master percussionist who had helped set up the village of Ki Yi M’bock where he then lived. Place of a Utopian experiment, we work from five in the morning, studying music, dance and theatre, everything needed to become a complete artist. People of all nationalities meet there and African stars come to breathe and emulate its atmosphere: Ray Lema, Youssou N’Dour, and Lokua Kanza are frequent visitors. Dobet soon realised that here was where she would learn about life. She attended school in that unique place and learned through working and watching. Her meeting with the guitarist Colin Laroche de Féline did the rest, leading her to singing and taking her to France in 1999.
Inspired by exceptional encounters such as Angélique Kidjo and Lokua Kanza, Dobet started modelling and fashioning her voice, described as “rather special, very strong, capable of expressing the highs and lows …” and came to the attention of the Belgian label Contre-Jour for which she made four albums. After several tours in the United States (where she performed at Old Town School of Folk Music and University of Washington) and performing all over the world, she confesses “When I’m not travelling, I get depressed”. In 2010, through the voice of India Arie who changed her song “Palea” to “Pearls”, she won a Grammy Award. In the same year, the Guardian newspaper described her performance as “the WOMAD festival’s best act”. The girl from Ki Yi M’bock continued her ascent with “MIZIKI”, for the first time affirming her role as a composer. Starting with the melody, she delivered little musical phrases which went straight to the heart. “I compose alone because I want to marry my creation so as to give it to the public”. Not descending into dance music and not forgetting tradition, but with Nicolas Repac’s support, she issued an album which is more electronic with its samples and sonorities. The roots of “MIZIKI” lie in the “ball of fire” which burns within her. Her words are simple, direct and therefore universal. “Akissi“ speaks of the rebel she will always be, “Miziki“ of her love for music, “La clé“ [“The key”] of a lost love (and a new one found), while “Education” is essential for emancipation.
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